During my time in Cleveland's Little Italy 1989-1996, my dear friend and neighbor gave me the key to her studio when she went to Santa Fe for the summer. I worked on etchings, mono prints, and my GCRTA public art project. Our work shares a similar ideology: respect for good "academic" drawing skills and a belief that art can be uplifting and memorable without resorting to shock value. She once joked that her unending energy and prolific output was a symptom of OCD. Phyllis was a great artist. I learned much from her. In a dream she asked me, "Do you like my symphony"? She was pointing to one of her orange still life paintings.
July 24, 2009
Phyllis Sloane 1921-2009
During my time in Cleveland's Little Italy 1989-1996, my dear friend and neighbor gave me the key to her studio when she went to Santa Fe for the summer. I worked on etchings, mono prints, and my GCRTA public art project. Our work shares a similar ideology: respect for good "academic" drawing skills and a belief that art can be uplifting and memorable without resorting to shock value. She once joked that her unending energy and prolific output was a symptom of OCD. Phyllis was a great artist. I learned much from her. In a dream she asked me, "Do you like my symphony"? She was pointing to one of her orange still life paintings.
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